Send us what you have. We select, sequence, grade and finish it — and where the footage does not cover your casting, we film a monologue that does.
Yes. Send us your existing material — broadcast clips, short films, student projects — and we cut, grade and sequence the usable footage into a single reel. Where there are gaps, we can film new monologues to fill them and cut everything together as one graded piece.
A folder of clips is not a showreel. The work is in choosing what to leave out, ordering what remains so it builds, matching wildly different grades into one look, and stopping before the viewer does.
We take what you have, work out what it actually proves about your casting, and cut it into something you would send to an agent without a paragraph of apology attached.
Honest triage. Two strong minutes beat six mediocre ones, and most reels are twice as long as they should be.
Open on your strongest, clearest moment. Order the rest so the reel gains rather than drifts.
Match clips shot years apart on different cameras into one consistent look.
Sound levelled, titles minimal, exports sized for Spotlight, Mandy, Casting Networks and social.
The most common outcome is a hybrid. Your existing footage proves one or two things well and says nothing about the rest of your casting. We film a monologue that covers the gap, then cut it in so the whole thing reads as one piece rather than an old reel with something bolted on.
If you want to talk it through before sending anything, call the studio — it is usually a ten-minute conversation.
Yes. Send us what you have — broadcast clips, short films, student work, even phone-recorded stage footage — and we will cut, grade and sequence the usable material into a reel. If there genuinely is not enough, we will tell you rather than take the money.
It depends entirely on how much footage there is and what state it is in. Send us the material and we will quote a flat fee before starting — no hourly meter running while we sift through a hard drive.
That is often the strongest reel of all. We film one or two new monologues to cover the gaps in what your existing footage shows, then cut everything into a single graded piece.
The highest-quality files you can get hold of — not YouTube rips if the originals exist. Tell us which projects you are proudest of and which casting bracket you are aiming at, and we will build around that.
Book a session or just ask us a question — we're always happy to talk through your reel.
